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Shakespeare's Sonnets
This paper discusses William Shakespeare's sonnets, especially sonnets 29 and 116. -- 2,145 words; MLA

Shakespeare: Metaphysical Aspects in Sonnets
Examines a number of sonnets from Shakespeare's sonnet cycle, deciphers them, explains how they are constructed and explores the ways in which they anticipated the Metaphysical movement in poetry. -- 2,025 words;

The Sonnet
This paper compares William Shakespeare's "Sonnet 55" and Christina Rossetti's sonnet "In an Artist's Studio", which both deal with similar ideas of memory and art but from a much different perspective. -- 965 words; MLA

The Evolving Sonnet
This paper discusses sonnets of different ages. -- 750 words; MLA

"Holy Sonnets"
An analysis of "Holy Sonnets" written by John Donne, a prominent metaphysical poet. -- 1,378 words; MLA

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SONNETS

Sonnets: An Insight into Shakespeare's Mind?
During Elizabethan times, 1550-1625, a great writer's explosive way of writing brought
forth-new life to poetry. This outstanding poet, author and playwright, was William
Shakespeare. Shakespeare wrote fourteen-line poems called sonnets. Although Shakespeare
is known for his masterpiece plays, his sonnets are also worthy of this credit. These
autobiographical sonnets are tales of love, deception, and betrayal. Although it is
presumable that Shakespeare did write these sonnets about his own life, some experts are
still puzzled by the possibilities. It seems as though Shakespeare poured his whole self
into the sonnets. However, the idea of the sonnets being fictional comes few and far
between. If one man can so exquisitely write fictional stories about love and still
include a controversial issue in them, then where do we draw the line between fact and
fiction? On account of much research, I have found that the belief of the majority of
experts I reviewed was that the sonnets are most likely to be autobiographical. Some
evidence shows this theory may be true. Therefore, Shakespeare, according to many
experts, used his real life affair with a man and a woman in his sonnets. His recreations
of pain, joy, and sorrow help to add to the drama of the sonnets. Also, Shakespeare has
shown the possibility of writing to a distinct person. Many experts ponder the question
of whom. Although they have narrowed down the group of possible candidate many agree on
one specific in each category.
As the Black Death was making its voyage from Sicily to conquer the European countries,
an eager Shakespeare might have been contemplating whether or not to write a comedy or a
drama. However, as soon as the plague did reach Europe, theaters closed and there was
nowhere for Shakespeare's plays to be performed. This posed a problem for the young
author. Shakespeare had to somehow exert his ability to another area of writing. What
better way to fulfill his urge than to write sonnets? The sonnet was being used as a
common way for expressing one's love for another. Shakespeare thought of this common way
of writing as an outlet to do just what everyone else was doing. He would express his
innermost thoughts and feelings to the people he loved. 
The sonnet is a fourteen line lyrical poem written in iambic pentameter, a meter in which
five accents are placed on the stressed and unstressed syllables in each line. English
poets were eager to find some way to make their sonnet better so when sixteenth century
English poets discovered the Italian sonnet, they decided to alter the rhyme scheme to
a-b-a-b, c-d-c-d, e-f-e-f, g-g (Rozakis 354). Shakespeare used this discovered form in
his sonnets. The concluding lines of the poem resolve the problem discussed in the above
twelve lines of the sonnet. After Shakespeare's death the English sonnet that he so
profoundly popularized was renamed the Shakespearean Sonnet (Rozakis355).
After researching the grouping of the sonnets there is still much controversy about
Thomas Thorpe's arrangement. Many of the experts doubt the accuracy of the order in which
they are found today. The sonnets are currently found in an order called Thorpe Quarto.
This order seems practical and does not pose any unanswered questions. "Thorpe's
arrangement groups the Sonnets by whom he is supposedly writing to. Then they are
numbered for practicality since no titles were provided"(Wilson). However, researchers
find that this arrangement was just a guess on Thorpe's part and was not grouped by the
poet himself. Nevertheless, when the sonnets are re-arranged they have no order or sense
to them. Thorpe's arrangement also gave experts the ability to look at the sonnets in a
way in which you could take the individuals addressed and say that there are two distinct
groups.
The first group of sonnets, which run from sonnets one to one hundred twenty six, address
two people of the male gender. Sonnets one hundred twenty seven to one hundred fifty six
have a distinct person as to whom he is speaking, he addresses a dark lady who is
supposedly seductive and sexy (The Sonnets1). This group of sonnets has been the
contradicting side of many experts' theories. Sonnets one hundred fifty three and one
hundred and fifty four are unusually unrelated to the two groupings. They relate to a
Greek poem about Cupid and his torch (The Sonnets1). The first group then can be split
into two smaller sub-groups. Sonnets one to seventeen tell how Shakespeare wants to marry
and have children (The Sonnets1). In addition to the sonnets about a young man, sonnets
seventy-eight to eighty-six are about a Rival Poet,  who experts say temporarily wins the
favor and presumably, patronage, of the friend" (The Sonnets1).
The First Group is entitled by Thomas Thorpe is The Friend,. Shakespeare was said to have
a love for the boy written about. This statement brings up the question of homosexuality
or bisexuality on the part of William Shakespeare. On the contrary, "Shakespeare also
said that his love for the boy was purely spiritual..." (Wilson). Shakespeare says in his
sonnets that he wants to marry and have children of his own, but only with a woman
(Martin). The controversial identity of Shakespeare's male lover has perplexed many
experts. Yet, written on the inside cover of the 1609 edition of the sonnets is the
following dedication, To The Onlie Begetter Of These Insving Sonnets Mr. W.H. All
Happinesse And That Eternitie Promised By Our Ever-Living Poet Wisheth The Well- Wishing
Adventurer In Setting Forth (Wilson). Mr. W.H brings the idea of a man with the initials
W.H., such as William Herbert. (The Sonnets 2). William Herbert was the Third Earl of
Pembroke. His candidacy seems most appropriate because of his thoughts on marriage.
However Herbert was only thirteen in 1593, the year that many scholars would date the
sonnets. (The Sonnets 2). This age difference suggests that his being the object of
Shakespeare's spiritual love would be simply ridiculous (Martin). Because of this factor
the reversal of the initials was brought to mind. Perhaps Shakespeare did not want
readers to know the identity of his male friend. This could be true, however, scholars
investigated the possibilities and one name came up in many instances. Henry Wriothesley
was The Earl of Southampton. He being twenty in 1593 further supported the theory of the
reversal of the initials. This is the basis of many experts' theoretical views on his
sexuality. Was Shakespeare in love with this boy or was his spiritual love actually what
it meant ... spiritual. 
Shakespeare also wrote in the sonnets about yet another man. This man was said to be ma
man of good stature. ...The so-called 'Rival Poet' who appears importantly in Sonnets
seventy-eight to eighty-six, was said to have stolen the young man away from Shakespeare.
The candidacy for this character runs with an outstanding agreement upon a George
Chapman, who was never the friend of Wriothesley or Herbert. This posed questions of the
relation of the Rival Poet to the young man. Shakespeare perceived the rival poet to be
learned, possibly a university graduate. Shakespeare thought of this as a threat and
presumably turned out as one (Wilson).
The Dark Lady is the second grouping of the sonnets. The Dark Lady series begins with
Sonnet number one hundred twenty seven and addresses a distinct character. This Dark Lady
is presumably beautiful and has dark features. She has dark hair, dark eyes, and dark
skin. This may possibly be because of their deep sexual love. His thought about the woman
were said to be sexual because he believed that, a man's sexual parts belonged only to a
woman,(Wilson). The spiritual sonnets about his lover twist to a sexy, tempestuous tales
of paradoxical love (The Sonnets4). Shakespeare did not use direct sexual statements in
his sonnets he concealed them with puns and sexual allusions (The Sonnets4). The numerous
candidates for this role have left many scholars in a puzzling disposition about the
ongoing names have been narrowed down to a bantam amount. Mary Fittton, Emilia Lanier,
Lucy Morgan, Penelope Rich, and William Davenant's mother are the most qualified people
in the category. Now much evidence is provided on this subject area but the women have
fit Shakespeare's detailed descriptions of her. However, Many scholars dispute the
accuracy of the names. 
In conclusion, it is my belief that the sonnets are arranged in a way that addresses
particular people and that the Sonnets reflect his true life and are possibly
autobiographical. Although the opinions of experts and scholars are varied the
researching that I have done has given me the ability to make the appropriation that my
statement is true. Shakespeare's self image is often doubted and yet his character as an
author is not. There has to be some basis of this opinion. The Sonnets provide this
foundation for thought. Wordsworth believed that Shakespeare unlocked his heart in the
Sonnets,(The Sonnets1) If this quote proves true then all the more Shakespeare he!
Bibliography
Sorry NO BIBLIOGRAPHY!!!!

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