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"Main Street Blues: The Decline of Small Town America "
A critique of the sociological work by Richard O' Davies, entitled "Main Street Blues: The Decline of Small Town America". -- 980 words; MLA

"Take on the Street"
Reviews Arthur Levitt's "Take on the Street: What Wall Street and Corporate America Don't Want You to Know". -- 1,150 words;

Street Performing in New York City
An in-depth analysis of the phenomenon of street entertainment in New York City. -- 7,088 words; MLA

Lives of Street Kids
A comparison essay that contrasts "Youth Gangs and Moral Panics in Santa Cruz" by Tim Lucas and "Living on the Street: Social Organization and Gender Relations in Australian Street Kids" by Hilary Winchester and Lauren Costello. -- 1,390 words; APA

"The Code of the Street"
This paper studies Elijah Anderson's book "The Code of the Street". -- 1,021 words; MLA

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Sinclair Lewis makes point of the efforts that Carol produces to reform her new
home. These efforts can be perceived by the townspeople as unwelcomed and
unsuccessful. Some of Carol's ideas are ludicrous, out of proportion and not ready for
the slow-moving town. She tries several different approaches to reforming the town from
the moment of her arrival. She goes from architectural reform to poetic reform to
artistic
to introducing liberalism to amusing social functions. All of these tactics she hopes
will
spring forth a reform movement to beautify and culturalize the town and people. 
Her initial attempts at bringing the town out of its shell consisted of throwing fun
and exciting parties. Such as her Chinese house-warming party on page 66. She plans this
social event as a way to bring the people out of their normal funeral parlor routine of
sitting in a circle and making small talk. For the moment she is successful, but soon
after
she implements sledding, skiing and skating outings, people begin to recoil back into
their
normal routines. Again, Carol is frustrated with the progress of the town, and she soon
feels rejected by the social elite at the Jolly Seventeen club on page 78. Her attempts
to
open the minds of the Jolly Seventeen to the issues of the lower class, backfires into a
discussion of foreign incompetencies and laziness. Her reputation becomes the antithesis
of Gopher Prairie social beliefs and structure.
After presumably months of social reclusion,
Carol is coerced to attend a meeting of the Thanatopsis club. She is revitalized and
excited about this new opportunity she has been given to discuss a favorite topic of
English poetry. Assuming an in-depth reading of selected poems and lively discussions
will take up the time, she is startled by the biographical and historical information
that is
shown off as great literary papers. Her idea of starting a dramatics association after a
night of charades, becomes such in the weeks to follow. She experiences the
overwhelming control of small town politics and agreement with association that is
exhibited in the play selection process. Her choice for the leading lady is dictated by
the
longing for social acceptance and the simple art of sucking up. She ascertains that her
vision of the perfect play has been tainted by the unmotivated, unreliable and
unscrupulous
cast she has assembled. The consistent snide, off-handed remarks and unannounced,
unwanted suggestions echo the toils of community theater groups across the present
Midwest.
Carol has wonderful aspirations and ideas to help awaken the sleepy town of
Gopher Prairie, but she is held back by the stiff, stubborn close-mindedness of the
small
town. The obstacles she encounters are her own self-criticisms. It is quite true that
the
townswomen gossip about her to no end, but if she could stop and listen, they gossip
about each other just as much. She does not comprehend that the common means of
conversation in the town are achieved through the criticizing of others. Carol will
never
attain her dream village if she does not learn how to communicate with, understand and
work with the people of Gopher Prairie. 

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