FREE ESSAY ON ANALYSIS OF THE LAST OF THE MOHICANS

ANALYSIS OF THE LAST OF THE MOHICANS

CONTRASTS AND CONFLICTS IN THE LAST OF THE MOHICANS
In James Fenimore Cooper's The Last of the Mohicans, everything is structured as a
double, with the massacre of Fort William Henry standing eerily in the middle of the
chapters. The first part of the novel is set within the confines of civilization, the
second part in situated in the world of the Indians. The characters also have mirrored
opposites. The good and bad Indian, the dark and fair lady, the noble red warrior and the
dashing and aristocratic white soldier. However, it is the contrast and the interplay of
the two Indian figures, Uncas and Magua, that make up the main theme of the story. It is
in the portrayal of these two characters that Cooper examines the main theme of the
story, the fate of the Indians in the America. 
The undisputed hero of the Leatherstocking series is the frontier figure, Natty Bumppo.
However, in The Last of the Mohicans, the second book in the series, Natty Bumppo, or
Hawkeye in this case, does not seem to show the mythical qualities of the isolated scout
and hunter. Terence Martin has pointed out that in The Last of the Mohicans . . . we
encounter an anomalous and unfinished Natty Bumppo. And Donald Darnell states, although
there is no falling off his powers - he is in his prime, his eye is sharp as ever, and
his role as hero is usurped by Uncas, whose movement to the position of dominance at the
novel's conclusion Cooper skilfully develops. Uncas and Magua are the protagonist and
antagonist of this story, and they both serve as a symbol of the vanishing people, the
ultimate victims of encroaching civilization of the white man. 
Uncas is the brave warrior, who embodies the noble characteristics of the proud Indians.
In the second half of the novel, Uncas infiltrates the Huron village, to rescue the
captured maidens. The setting of the story is now shifted to mythical Indian territory.
It is a world where the white man is powerless. Moreover, it is a world where bravery is
the sine qua non, and it is appropriate that Uncas's emergence as hero begins here.
The other Indian that Cooper contrasts with Uncas is Magua. He is the traditional bad
Indian, the villainous and machiavellian devil. According to Leslie Fiedler, Cooper
manages to propagate both aspects of the American ambivalence toward the Indian: the
Easterner's or missionary's sentimentalizing of the Vanishing American, and the
Westerner's or Indian fighter's cynical contempt for the savage. 
By organizing his narratives around two Indian atrocities - microcosmically, Magua's
abduction of Cora and Alice; macroscopically, the slaughter at Fort William Henry -
Cooper is able to grant the Indian's sense of wronged innocence and at the same time
present the Indian's revenge as compromising their claims to justice and perhaps even to
survival.